• Excellent job, sabre soloist.
• Great ensemble toss, rifles.
• Wonderful ensemble six, sabres.
• Such a powerful ensemble flag moment - the transition from the white silks to the rainbow.

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• This is one of my favorite uses of forced perspective, with the floor design - making the set pieces and performers appear smaller when they're at the back of the floor, and larger, when they're at the front.
• I love this opening movement section.
• WOW, ensemble flag feature!
• Fantastic flag exchange on the pink flags.
• Excellent job on that ensemble flag statement at the end.

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• I like the gradual reveal of the rifle line.
• Nice job, rifle soloist.
• These blue flags are an excellent contrast to the floor.
• I really love the design of these translucent flags with the blue stripe. Nicely done on the ensemble flag statement, as well.
• Ooh...another great flag design.
• Interesting use of the stools to create effect using the purple strands of fabric.

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• Interesting floor and set designs, Stoneman.
• I really like the opening rifle segment.
• Very nicely handled, ensemble rifle six.
• The flag writing is very nice.
• I love this blue and pink flag.

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• I love this opening movement, around the tree.
• That tree is one of my favorite set pieces of the 2019 season.
• Nicely handled, rifle soloist, with the front walkover underneath the toss.
• That was a very nice ensemble flag feature, Warren Central.

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• I really love these set pieces.
• The performers really sell the "tree frog" persona, at the beginning of this show.
• Nicely done, rifle soloists.
• I love this rifle work.
• Nice flag add-on feature, but the flag design tends to get lost against the floor, from up top.
• I like that the leaf props are are so well designed that you can't tell that they're not part of the floor until someone comes out from behind/underneath one.
• These plum colored flags are very nice.
• Love those ending poses.

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• I'm not certain that these kids were alive when Mr. Rogers was still on the air, but this show is a fond reminiscence of my childhood.
• Very nice, rifles.
• I love that they're making good use of the cardigans.
• Nicely handled, flag line.
• That "ten seconds of silence" is a really powerful moment.
• I won't lie - hearing that song at the end kinda made me tear up, a little.

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• I really love this set design.
• WOW - what a great opening dance moment!
• I really dig the vibe of this show. The reflective set pieces and the flags are just selling it, for me.
• Nicely done, rifle duet.
• This flag and this flag feature is just...lush and seductive. Delicious.
• MAN, what a toss!
• You can't go wrong with Sade, and Lyman HS certainly didn't.

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• This floor and set design is fantastic.
• These flags are kickin' it, tonight.
• Listen to the pipes on that singer.
• I love the reflective insides of these props.
• The mustard flags are a really great contrast to the floor.
• GET IT, sabres!
• I love the introduction of that red flag.
• Such a nicely done flag feature.
• Nice, flags.

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• This guard moves so beautifully.
• I love the sundial set piece.
• The flags are just gorgeous, and the writing with them is beautiful.
• Very nicely juggled, sabre soloist.
• These peacock flags are just glorious.
• Such a wonderful program, Miamisburg.

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• I truly adore this floor design.
• Nice use of the chairs to shape and reshape the performance stage.
• Sabres are having a really great run, so far. Excellently handled ensemble sixes.
• These torch flags are just amazingly designed and spun.
• Fantastic flag feature.

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• I love the imagery of the ladders breaking through a glass ceiling. Really cool.
• SUCH a nice extension in the movement.
• VERY cool toss over top of the lifted guard member.
• Very nice contribution from the flag line in the center.
• The rifle/sabre partner feature is really nicely written.
• The build to this ensemble flag feature is SO well done.
• That's a really wonderful ending form.

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• This is one of my favorite songs - "Midnight Radio," from this Tony Award-winning musical, "Hedwig and the Angry Inch." This is the Lena Hall cover of the song.
• This opening pre-show is really cool.
• These kids are just beautiful dancers.
• "Filling you up!"
• I just love these flag designed.
• YEAH flags!
• Man...these kids can spin.
• That was one heck of a run, W. Broward!

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• This show makes excellent use of black juxtaposed with vibrating neon colors - the floor and the flags work really well together.
• These kid dance beautifully. So well trained.
• This show is all about the nuance and control. Such a great job from the performers.
• I love that stand-still sabre feature. Such nice use of body contact with the blade to manipulate it around the body.
• The gradual addition of flags is just so nicely developed and performed.
• NICE ensemble release, flags.

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• One of the Easter Eggs in this show is that, on the large clothes rack (the round one), there are uniforms from old guard and corps shows, including a uniform from the Blessed Sacrament 1990 show that first performed this song.
• These performers are just...unbelievable.
• WOW, flag release.
• Amazing catch on the half, rifles.
• I'm literally weeping, right now.
• That ensemble flag feature...

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• Loving this opening pre-show.
• That was one heck of a flag feature. Perfect ensemble tosses.
• This show is really nice to watch. It's my first time watching it, so I'm focusing on the performance.
• I can't say enough good things about that ensemble flag section.

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• This is a great track.
• I really love how the flags in this show appear to be silk bedsheets.
• VERY nice ensemble toss, rifles.
• I love the breathy quality of this equipment writing.
• WOW, blue flag exchange across the beds.
• That ensemble flag feature is so nicely crafted and staged.

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• This rifle writing is really nice.
• Nicely done, flag line.
• Excellent roll under that toss, blue flags.
• Man, what a nicely executed ensemble flag feature.

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• This opening movement segment is so well executed.
• So many cool tosses and tricks.
• This flag feature on the teal and brown flags is so much fun to watch.
• WOW, execution!
• Great run, CGT Denton!
• LOVE the surprise ending.

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• This floor is just a fantastic image.
• Fantasia always moves incredibly well.
• I love the slow build of the weapon lines, as their numbers gradually grow and the work becomes faster.
• Excellent ensemble seven, sabres.
• ANOTHER great ensemble seven, sabres.
• This flag moment is so nicely staged and performed.
• Excellent ensemble rifle segment.

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• I LOVE me a good Goth show.
• Very nicely done, dance line.
• AMP guards always have such nice and lush equipment writing.
• So many explosive moments in this show.
• These flags are ROCKING THE HOUSE, tonight!
• SUCH a cool show!

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• For those interested, this floor design is an art movement called "Geometric Abstraction."
• I really like the fence post flags.
• There's just so much to take in, it's hard to make any useful commentary.
• I really love how so many of the movement moments are visual representations of being caught in a tornado's funnel
• That dance feature in the front was great.
• Very nice ensemble six.
• What an ending!

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• Very nicely handled flag exchange.
• Nicely done, Rifles.
• EXCELLENT job on that rolling blind rifle exchange around the car.
• I love this scene in the front prop.
• Such cool flag tosses from the soloist.
• What a great ensemble flag feature, CGT Dallas!

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• This design is super effective, with the yellow juxtaposed against the starkness of the floor.
• This show is super innovative with a live, looped soundtrack. Unfortunately, the live audio tracks are having trouble reaching the mics, tonight.
• That flag feature on the ramp is SO nice.
• I love the reveal of these flags, rolling down the ramp.
• SUCH a well-done flag feature!
• I love this ending.  So understated.

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• I really like this floor design. The bench props are nice, as well.
• These flags are so well designed. Absolutely gorgeous color gradations.
• Very nicely done inside the flower ovule.
• Etude is having a phenomenal run, tonight.
• Excellent job, rifle soloist!
• Such a nice ending.

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• The black and white uniforms in this show - representing the two sides of a conversation/war - are very effective.
• If you pay attention, you'll notice that the two sides of the conversation rare spin together, because they're are creating a dialogue.
• This show has a lot of great things to say.
• Such a powerful conversation, Sac.

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• This show relies so much on execution and precision, and Imbue does a great job of pulling off that feat, both in terms of movement and equipment. Their adherence to form and drill is superb.
• Everything about this show is so engaging.  I've just been wrapped up in watching everything happen.
• The black flag segment was so wonderful to watch.
• The weapon lines are displaying masterful levels of control over their equipment.
• This red ensemble flag section. There are no words.

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• This show is just such balanced perfection within its minimalist design.
• The quality of movement this guard displays is amazing. Excellence abounds.
• The passing of the two featured performers over the bodies of the others on the sideline is just a glorious moment of beauty.
• Excellent use of breath and isolation within the rifle work.
• This rifle partner feature with the minute-long lift is amazingly written and performed.
• I love the use of the two flags orbiting around the center and each other. It's such a powerful statement about the possibility, but not necessarily the fulfillment of, love between two people.
• That ensemble rifle toss will be remembered for years to come.

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• I will say that the proliferation of digitally printed floors has resulted in some absolutely gorgeous floor designs that weren't possible when we were just using paint.
• This rifle writing is excellently musical.
• I love the introduction of the blue flags from the back-left corner.
• The passage of the pale flag throughout the line is really nicely done.
• This ensemble flag statement is such a beautiful breath of fresh air, with lots of lift, weft, and waft.

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• This show makes such excellent use of their props - they're ramps, they're multi-sided doors, they shape and reshape the stage, they hide performers. What CAN'T these ramps do?!
• Nicely done rifles.
• I love the introduction of the flags.
• The rifle work is so precise, and makes great use of isolation and...OMG that roll onto their backs before they catch in the lotus position.
• The traveling up and sliding down these ramps is just a magical moment.
• I love these teal flags SO much, especially when they partner with the rifles.
• Such a great ending.

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